Box o' Music

I picked up, literally, a box of scores the other day from San Diego Opera. A whole season's worth of music from "Aida" to "Tannhäuser." It was interesting to see them all kind of dumped in a box - heavy and a bit ungainly - as I lugged it out to my car and thought about when I was actually going to start working on these.

Right now I'm working on "Agrippina," the opera I'm staging for Lillian Groag at City Opera in September. I know this piece like the back of my hand but the set I've worked on is different than the set for New York, and so it takes more preparation than if I was walking into the exact same scenario. Most of the concept is the same, but entrances and exits have switched around and there are some gags, etc. that can't be executed with this scenery. It's a slow process of comparison, but I am armed with paperwork and video galore, so it will eventually come together.

Gluck's "Orphée," which I'm actually beginning sooner than the rest of these operas, is the easiest to prepare because it's never been done before. I've done as much on this score as I can at this juncture. I have a relatively detailed scene breakdown, I've highlighted all of the text, I've listened to the opera 4000 times and I've put together a preliminary schedule. Everything else will have to wait until I'm in rehearsals next week. I leave for Cooperstown on Sunday.

There are so many other things I'd like to work on right now, but my opera preparation seems to dominate my time. I have, of course, become somewhat obsessed with Flickr, so that's taken up the rest of my free time, and in the middle we have quality time with John and the cats.

Sunday morning is a backwards dive off of the high dive into a pool I've never seen before. I love that moment and it scares the crap out of me every time. All I can assume is that the pool has water, though I have no idea how deep or what temperature.

Biding Time..

It's the beginning of Memorial Day Weekend and I am NOT in Terre Haute, Indiana, at my family's huge annual reunion. I will NOT be waking up at 5am to pile into a van and caravan to Speedway, Indiana, to sit in the stands at the Indianapolis 500, eat burgers and drink sweet tea, cheer for Danica Patrick and watch the policeman stand on the seat of his motorcycle as it careens through the pits. No looking through binoculars at the checkered flag waving madly or wandering through the muggy caverns beneath Tower Terrace as the cement shakes from the power of 33 cars racing by at 200 mph. I'll miss my cousin's dogs romping through the halls of the Holiday Inn, a double wedding shower for two cousins (also sisters) getting married and hours of watching rugrats romping in the Holidome, their little feet slapping the wet tile as they run to grab on to their mothers.

It's okay. I'm spending the weekend with my husband, with whom I have one more week before I fly away to Upstate New York for a summer at Glimmerglass Opera. He and I have been spending as much time as we can muster together. I've even gone so far as to volunteer my services to him as he conducts interviews for a show about the Old Globe Theater's Summer Shakespeare Festival. The television station he works for is relatively understaffed right now so I like to help where I can, hooking up cameras, unrolling cords, putting together laveliere mics. It's fun to watch John work and even more fun to work with him. The picture above is a small break from our last day of interviews. John is thinking about a lighting problem while I relax against the wall. Lighting is not my forte.

I went to my second dance class this morning. Again with Jean Isaacs. I owe her a debt for getting my butt up and moving. Today I felt much better. I made it through the entire class with no qualms at all and, because I'd done all of the phrases on Tuesday, I could cycle my body easily through the movement without my muscle memory giving way to crazy improvisational seizures. And after it all, I still felt sweaty and energized, my shirt soaked and my face flushed and prickly. I'll be back next Tuesday.

Class was followed by a trip to Office Depot to buy supplies for "Orphee" and a box to send some stuff ahead to Cooperstown. As much as I'm trying to delay my inevitable departure in my mind, it is still coming with great speed and I am forced to address it. The big box sitting in the middle of the living room is now a consistent reminder that I will be separating myself from this little family of mine again.

The cats are curious about the box but don't seem to care much about my impending exit in the least. (As long as they still get fed you know..)

The roses that John gave me last week are starting to wilt and dry. Nothing stays perfect forever.

Time to Go Home

My relationship with my husband right now consists of snapping open my little phone and dialing his cell phone number. After a while, conversations get harder on the phone. You need the one-on-one contact to truly express how you're feeling, to bring up new subjects, to have a real conversation.

It's time to go home. I can't be totally rootless anymore.

These are always the hardest times because the show is open and my only true work is every three days when I go to the theater to mind the show. All of that empty time can cause meltdowns which I have to work to keep from happening.

This is when I start pulling out upcoming projects to work on. I finally got my Gluck/Berlioz score from Glimmerglass so I've cracked that open, I'm working on a couple of independent projects that will hopefully manifest themselves into dance films like "Utazo," but they're in the most basic of planning stages right now.

I've also finally had the time to sit in on some more "Anna Karenina" rehearsals. I'm very excited to see it once all of the pieces have been put together, but I love watching it in the rough stages too. It's the reason I'm an artist instead of only an art supporter: the process is much more fascinating to me than the product.

Opera America is next weekend as well. I'm looking forward to that keeping me busy for a few days as well.

Busy, busy, busy. It's all about keeping busy.