...thank heavens!
We had our final dress rehearsal tonight. It's a short piece so we had the chance to run it twice. These kids have worked really hard. I was looking back at old rehearsal pictures and realized what a long way we've come from that first rehearsal with a golf cart sitting in our rehearsal space and some of the worst French pronunciation I've yet encountered.
We've gone from sloppy shapes to beautiful angles with my three students stuck behind a scrim for most of the show. I have a student who slithers artfully across a piano, one who kicks over a chair with incredible verve, another who, after much coaxing, singles out audience members to tell them how much better she is than them, and a young piano player who blows me away every time he touches the keys.
I can't say that this has been a stress-free love fest. High school shows are difficult because they lack the support of a professional theater. No matter how much I'd like to say otherwise, I produced this show nearly on my own. I fought with space problems, a missing costumer, no funds, no stock, and a fire alarm that kept going off in rehearsal after rehearsal. Everything that professional actors know instinctively has to be explained in great detail in a high school rehearsal, and never assume that anyone will remember anything I say. However, I will walk away from this feeling like I've given these kids something to think about, and maybe I've inspired one or two of them to do their own work...
It's been a learning experience for all of us.
t
This is day one or two of rehearsal. The first time we worked as a full group in the cabaret set up. The first rehearsal they all learned how to play blackjack. I think they are showing off their new-found skills here.
The first time we put together the Pride tableau. This is one of my favorite moments in the piece.
The Pride Tableau in a cueing session. The lights are the essence of the piece. They train the audience where to look. The addition of the scrim changed how all of the students responded to each other on stage. It was a riot watching the tech crew load that thing out of the scene shop and bring it over to our little neck of the woods.
This is the climax of the piece in full costume. Anna's revelation, I call it.
Here we see the cabaret moments come to fruition. Still playing blackjack, but finally looking the part. It's only missing a little smoke and some whiskey bottles, but we joke that it's a smoke-free, juice bar cabaret. They're all the rage in Berlin.
My amazing family in their silhouette corner. They worked so incredibly hard to achieve these gorgeous tableaus and I am amazed at the results. I could watch them all day.
The cut out in the letter was my student's idea. As soon as they realized how much they could contribute, the ideas started pouring out. Much of the design of the show was put together by brainstorming with these kids. I love being able to say that the show is as much theirs as it is mine.
I give all of my shows as gifts to my performers. Sometimes I get something back in return.
Subscribe to:
Post Comments (Atom)
1 comment:
Thanks for the great pictures and commentary. I think that working on a production of this technical quality can only make you a stonger director with experienced actors and in a real technical stage. Sometimes getting back to the bare basics enhances your future work. Your experience in community theater, as a very young actress, has been an incredible basis that you have built on. Perhaps your work with these young actors will be the basis they need to launch future carrers. Opening their creative doors, may have a profound affect on on their lives. I am so proud of you. I wish I could be there for opening night!
Mared,
Mom
Post a Comment